![]() ![]() The Q menu is your best bet for ease of use and lets you program a lot of different settings. The menu system on Fujifilm cameras is logical, and it's pretty easy to find important settings. That makes it good for street shooting, but not vlogging, unfortunately. You can tilt up or down the rear display, but not flip it around. You can't control the main menu functions like on new models from Canon, Nikon and Blackmagic Design, however. The rear display is now a touchscreen, letting you select the focus point and control Q settings. On the plus side, it has blackout-free performance during continuous burst shooting, beating Canon's more expensive full-frame EOS RP. To be fair, though, it's the same as the one on Sony's A7 III, which costs $1,100 more. I found the OLED EVF to be middling, with 2.36 million dots of resolution and 100 fps maximum refresh rate. Fujifilm also moved the Q button, which lets you easily access the most-used functions, so it's now in an awkward, easy-to-bump spot. I guess you don't need one when you've got the other, but it seems like there's room for both. It now has a joystick rather than a D-pad like its predecessor, the X-T20. All of those controls make the X-T30 a very tactile, fun-to-use camera. You also get the aperture dial that's present on most Fujifilm X-series lenses. It has front and rear control dials to adjust settings like ISO and aperture, and top dials for exposure compensation, shutter speed and shooting settings. Once you do, it's hard to pop out the card, as the slot is too close to the compartment's lid.Īpart from that, the ergonomics are outstanding. The tripod socket is placed off the lens axis and too close to the battery compartment, so you have to take it off before you can remove the battery or memory card. The X-T30 is a well-designed camera - except for the bottom part. The smaller grip also works better if you're holding the camera low and "shooting from the hip" for street photography. While that means it might slip out of your hands more easily, the narrower width makes it easier to slip into a pocket. The X-T30 has a much smaller (borderline nonexistent) grip than the A6400. ![]() The main reason is it's not weather sealed like the A6400, but I don't think that's too important for its target market. In fact, with a 27mm pancake lens, it weighs around the same as Fujifilm's $1,299 X100F compact. ![]() It's just 383 grams (.85) pounds, less than the 403-gram Sony A6400. The X-T3 was already pretty compact for an APS-C mirrorless camera, but the X-T30 is downright small. To find out how it would fare against rivals, like Sony's A6400, I took it for a spin on the streets of Paris. You can't have everything, though, so the X-T30 is missing some features found on its higher-end sibling. All of that is squeezed into a lightweight, well-designed body that's ideal for travel and street photography. It has full APS-C 4K video, shooting speeds up to 30 fps and AI-powered face- and eye-detection autofocus. Then, to further press its advantage on Sony, Fujifilm subsequently launched the X-T30 with the same sensor and image quality as the X-T3, for $600 less.ĭespite that price gap, the X-T30 is packed with features. With an all-new 26.1-megapixel X-Trans 4 backside-illuminated (BSI) sensor, it was a major improvement on the X-T2 in speed, autofocus capability, ergonomics and, especially, video. ![]() Amid all the drama in the full-frame mirrorless camera world, Fujifilm quietly unveiled the world-beating APS-C sensor X-T3, last fall. ![]()
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